"Train go sorry" is the American Sign Language expression for "missing the boat. " Indeed, missed connections characterize many interactions between the deaf and hearing worlds, including the failure to recognize that deaf people are members of a unique culture. In this intimate chronicle of Lexington School for the Deaf, Leah Hager Cohen brings this extraordinary culture to life and captures a pivotal moment in deaf history. We witness the blossoming of Sofia, a young emigrant from Russia, who pursues her dream of preparing for her bat mitzvah, learning Hebrew in addition to English and ASL. Janie, a history teacher who participated in the Deaf President Now movement at Gallaudet University, leads a field trip to the campus; there we experience the intense pride of deaf people who have won the battle for self-determination and leadership. And we feel the pounding vibrations of a bass line as James, a student from the Bronx, loses himself in the pulse of rap music as he dreams of life beyond Lexington's safe borders. As a child, Leah Cohen put pebbles in her ears as pretend hearing aids. Herself hearing, she grew up at Lexington, where her father is currently superintendent, and where her grandfather was a student. Animating the debate over the controversial push toward mainstreaming and the use of cochlear implants, Cohen shows how these policies threaten the very place where deaf culture and students thrive: the school. With her enormous sensitivity, Leah Cohen offers a story of the human will and need to make connections.