Why do we find the idea of a multi-coloured Parthenon so shocking today? Why was the Eiffel Tower such a target for hatred when it was first built? Is the Sagrada Familia a work of genius or kitsch? Why has 'Le Corbusier', one of the greatest of all architects, been treated as a villain? This book examines the critical legacy of both well known and either forgotten or underappreciated highpoints in the history of world architecture.