~ tracking down this book ~
only cover on file
On your list
—
sign in to rank
Across the community
—
not yet ranked
How was it?read it first
Have you read it?tbr = to be read
This book is both art history and mathematical history with a revisionist slant. The author investigates different models of the fourth dimension and how these are applied in art and physics. He contrasts the slicing model to the projection or shadow model and provides commentary on Picasso's cubism and Minkowski's work.