This book sets out some steps towards such an appreciation through the exploration of three interconnecting themes. In his exploration of the first theme, Embodiment and Incarnation, the author argues that Richard Wollheim's statement that 'Art rests on the fact that deep feelings pattern themselves in a coherent way all over our life and behaviour' (Art and its Objects, 1980) applies equally to religion. With the second theme, Similarities and Differences, the author notes the way each can act as a critique of the other. Christianity has, particularly though not exclusively in its reformed and evangelical traditions, tended to over-value the word of Scripture and of dogma, with the result that the non-verbal arts have been at best ignored and often feared. Generally, on their side, the arts (particularly in the modern period) have asserted their autonomy and have generally rejected notions of responsibility to social, ethical or religious principles or ideals. Finally, in treating the theme Faith and Imagination, the author argues that art can serve as an agent of salvation by helping theology to create frames of reference for the interpretation fuller experience of personal life. Table of contents http://www. loc. gov/catdir/toc/ecip0420/2004016813. html.